Add to EJ Playlist * Malevolent Creation - Shock and awe (Dave Culross)
* Vital Remains - Dechristianize (Antonio Donadeo)
* Aeon - Satanic Victory (Nils Fjellström)
* Aborted - Enterrement Of An Idol (Dan Wilding)
* Decrepit birth - Diminishing Between Worlds (KC Howard)
* Kataklysm - Illuminati (Max Duhamel)
* Immolation - Son of Iniquity (Steve Shalaty)
* Morbid Angel - Maze of torment (Pete "god" sandoval)
* Deicide - Homage for satan (Steve Asheim)
* Decapitated - Babylon's pride (Vitek "R.I.P")
Este solo es el primer video, se que faltan muchos bateristas mas por ello pronto hare la 2da parte.
Add to EJ Playlist http://www.osca rdauria.com.ar
Solo de batería sobre una secuencia.
Buenos Aires 2004.
Oscar D'Auria is a professional all- around drummer whose activities comprise live performance, studio, programming, method -- writing, teaching, clinic. He studied drumming in Buenos Aires, Argentina with the Maestro Alberto Alcalá and the Real Conservatorio de Madrid, Spain with Professor José María Martín Porrás. Virtually the whole spectrum of musical forms over the world have been and played by him with equal ease, distinctive approach and authority. D'Auria has carried out as a teacher in Argentina, France, Spain and the U.S.A. He holds to his credit the firs rock method for the drumset published in Argentina: AN APPROACH TO ROCK -- now on its eighth printing; his other works are 113 RITMOS and DRUMS -- BATERIA -- DRUMS, professional audio -- CD workbooks for contemporary rhythms plus play -- along tracks, and ACCENTING -- an advanced method on the subjet that also includes examples to apply the material to actual music. As a studio drummer and programmer he may be found in albums of top song artist. Live performance is what captures D'Auria's spirit at its best; his natural area of action are concert halls, TV studios and arenas. Oscar has toured Mexico, Central and South America, the main cities of Japan, the fifteen republics of the U.S.S.R., Spain and France where he stayed performing for two years with his own band and also the honor of playing for a song star in the Olympia of Paris. On'91 -- '92 he moved for two years to the U.S.A. where he played for albums of international song artist, taught drumming in the area of Los Angeles. D'Auria ia a sought after drummer on account of his outsyanding technique, versatilily, sight reading skills, imagination and driving force; he is equally at ease when requested to play in a pub, club, TV studio, concert hall, arena or recording studio. Visiting international song start request his drumming while in Argentina. Oscar D'Auria is a innovative drummer who blends subtle touch and raw power into his intense style, this unique control and awareness enable him to back and drive acustic as well as amplified instruments, be it a small group or a full orchesta. Presently Oscar D'Auria endorses GRETSCH drums, Remo drumheads and percussions , SABIAN cymbals, PRO-MARK drumsticks and accesories, Toca percussion, , NP percussion, Daiam Bags, Redonda Hard Cases and Gibraltar hardware and accesories.INFL UENCIAS:
Alberto Alcala,Jose Maria Martin Porras, Buddy Rich, Max Roach, Joe Morello, Rufus Jones, Tony Williams, Harvey Mason, Billy Cobhan, Vinnie Colaiuta, Dave Weckl y Steve Gadd entre otros.
Add to EJ Playlist Es una excelente cancion de kiss cantada por peter criss el baterista original de la banda ( no como el de ahora que se quiere parecer a el) y una muy buena cancion en la parte musical, y el toque que le da la sinfonica hacen de esta cancion una de las mejores del concerto de kiss con la sinfonica de melbuorne
Add to EJ Playlist Un video homenajeando a los dos grandes músicos de Kiss que dejaron este mundo, el baterista Paul Charles Caravello (mejor conocido como Eric Carr) y el guitarrista Mark Norton (mejor conocido como Mark St. John). Esto es para ustedes
Eric & Mark not dead!!
Add to EJ Playlist esta canção é de uma das maiores bandas de heavy metal de todos os tempos, ANTHRAX, eu executo a canção SUPERHERO, onde a bateria desenvolve um papel fundamental ao conjunto, ela é bem trabalhada no sentido de não aparecer demais e ao mesmo tempo complementar bem os vazios!