Add to EJ Playlist  When I was driving home from a lovely dinner with my parents, I heard (and rediscovered) this amazing song... Went to youtube ofcourse only to find out that no one (as far as I know) has yet uploaded this... Sure, lots of live versions out there, some of which aren't bad, but this is the one and only original... Sent shivers down my spine, when I heard it! Enjoy!

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Add to EJ Playlist  This song is called "Somewhere", with Steven Stills on bass. I do not own this song; Jimi does RIP.

Add to EJ Playlist  The Rise and Fall of Ziggy Stardust and the Spiders From Mars 40th Anniversary Edition (2012)

Add to EJ Playlist  This is the entire Paranoid album, released in 1970. War Pigs 0:00 Paranoid 7:58 Planet Caravan 10:51 Iron Man 15:25 Electric Funeral 21:25 Hand of Doom 26:16 Rat Salad 33:28 Fairies Wear Boots 35:58

Add to EJ Playlist  Hawkwind-Space Ritual 02 2-01 7 By 7 2-02 Sonic Attack 2-03 Time We Left This World Today 1 2-04 Master Of The Universe 2-05 Welcome To The Future 2-06 You Shouldn't Do That 2-07 Master Of The Universe 2-08 Born To Go

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Add to EJ Playlist  The Velvet Underground & Nico is the debut album by The Velvet Underground and vocal collaborator Nico. It was originally released in March 1967 by Verve Records. Recorded in 1966 during Andy Warhol's Exploding Plastic Inevitable multimedia event tour, The Velvet Underground & Nico would gain notoriety for its experimentalist performance sensibilities, as well as its focus on controversial subject matter expressed in many of their songs. Though a commercial failure upon release, the record has since become one of the most influential and critically acclaimed rock albums in history, appearing at number thirteen on Rolling Stone magazine's list of the 500 Greatest Albums of All Time as well as being added to the 2006 National Recording Registry by the Library of Congress. The Velvet Underground & Nico was recorded with the first professional line-up of The Velvet Underground, including Lou Reed, John Cale, Sterling Morrison and Maureen "Moe" Tucker. For this record Nico was included, who would occasionally sing lead with the band at the instigation of their mentor and manager, Andy Warhol. Nico sang lead on three of the album's tracks—"Femme Fatale", "All Tomorrow's Parties" and "I'll Be Your Mirror"—and back-up on "Sunday Morning". In 1966, as the album was being recorded, this was also the line-up for their live performances as a part of Warhol's Exploding Plastic Inevitable. The bulk of the songs that would become The Velvet Underground & Nico were recorded in mid-April, 1966, during a four-day stint at Scepter Studios, a decrepit recording studio in New York City. This recording session was financed by Warhol and Columbia Records' sales executive Norman Dolph, who also acted as an engineer with John Licata. Though exact total cost of the project is unknown, estimates vary from $1500 to $3000. Soon after recording, Dolph sent an acetate disc of the recordings to Columbia in an attempt to interest them in distributing the album, but they declined, as did Atlantic Records and Elektra Records. Eventually, the MGM Records-owned Verve Records accepted the recordings with the help of Verve staff producer Tom Wilson, who had recently moved from a job at Columbia. With the affirmation of a label, three of the songs, "I'm Waiting for the Man", "Venus in Furs" and "Heroin", were re-recorded in two days at T.T.G. Studios during a stay in Hollywood later in 1966. As the record's release date was bumped back time after time because of production problems, Wilson also took them into a New York studio in November 1966 to add a final song to the track listing: the single "Sunday Morning". The production on that song is far more professional and lush, aimed as it was at radio playtime.

Add to EJ Playlist  more than 40 years...and it's still so freaking new and awesome...

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Add to EJ Playlist  Electric Moon- Inferno 1. Mental Record 14:22 2. Inferno 51:54 http://www.disc ogs.com/Electri c-Moon-Inferno/ release/2787771 http://www.sula tron.com/xoshop /product_info.p hp?pName=electr ic-moon-inferno -cdr-p-795 http://www.mysp ace.com/electri cmoons http://www.last .fm/music/Elect ric+Moon

Add to EJ Playlist  SPIRIT OF JOHN MORGAN -- 1969 (UK) heavy psych Although released in 1971, the debut self-titled album by Spirit of John Morgan was actually recorded two years earlier, before the spirit of the '60s dissipated into the excesses of the '70s. But even back in 1969, the British quartet were already fish out of water, gasping for R&B in a Technicolor age of psychedelia. So they created their own, an entire album's worth of strong, shadowed, R&B numbers underlit by magnificent musicianship and powerful rhythms. The set opener, a menacing cover of Graham Bond's "I Want You," is a case in point, stalker-like in its intensity, with John Morgan's organ conjuring up a phantom of the opera from which there is no escape. However, Morgan's phenomenal finger skills are best showcased on a cover of Meade "Lux" Lewis' "Honky Tonk Train Blues," a fabulously masterful piano boogie woogie, as is his equally extraordinary adaptation of Albert Ammons' "Shout for Joy." And Morgan is just as skilled on the organ, as is evidenced on the band's take on Big John Patton's "The Yodel." As astounding as the covers are, the quartet offered up their own numbers that are of equal quality. "Orpheus and None for Ye," is a particular standout, a dark, driving number that initially calls to mind the Spencer Davis Group before diving into the heart of the jungle, while Don Whitaker's guitar licks like flames around the piece. It is the set's final number, however, the ten-minute epic "Yorkshire Blues" that is the heart of the album. Delta blues brought to the English north, where the band convincingly make the case that life is just as tough up mill as it is down in the fields of the Deep South. John Morgan (organ, piano, vocals) Mick Walter (drums, percussion, vocals) Don "Fagin" Whitaker (lead guitar, vocals) Phil Shutt [Phil Curtis] (bass)

Add to EJ Playlist  SPIRIT OF JOHN MORGAN -- 1969 (UK) heavy psych Although released in 1971, the debut self-titled album by Spirit of John Morgan was actually recorded two years earlier, before the spirit of the '60s dissipated into the excesses of the '70s. But even back in 1969, the British quartet were already fish out of water, gasping for R&B in a Technicolor age of psychedelia. So they created their own, an entire album's worth of strong, shadowed, R&B numbers underlit by magnificent musicianship and powerful rhythms. The set opener, a menacing cover of Graham Bond's "I Want You," is a case in point, stalker-like in its intensity, with John Morgan's organ conjuring up a phantom of the opera from which there is no escape. However, Morgan's phenomenal finger skills are best showcased on a cover of Meade "Lux" Lewis' "Honky Tonk Train Blues," a fabulously masterful piano boogie woogie, as is his equally extraordinary adaptation of Albert Ammons' "Shout for Joy." And Morgan is just as skilled on the organ, as is evidenced on the band's take on Big John Patton's "The Yodel." As astounding as the covers are, the quartet offered up their own numbers that are of equal quality. "Orpheus and None for Ye," is a particular standout, a dark, driving number that initially calls to mind the Spencer Davis Group before diving into the heart of the jungle, while Don Whitaker's guitar licks like flames around the piece. It is the set's final number, however, the ten-minute epic "Yorkshire Blues" that is the heart of the album. Delta blues brought to the English north, where the band convincingly make the case that life is just as tough up mill as it is down in the fields of the Deep South. John Morgan (organ, piano, vocals) Mick Walter (drums, percussion, vocals) Don "Fagin" Whitaker (lead guitar, vocals) Phil Shutt [Phil Curtis] (bass)

Add to EJ Playlist  SPIRIT OF JOHN MORGAN -- 1969 (UK) heavy psych Although released in 1971, the debut self-titled album by Spirit of John Morgan was actually recorded two years earlier, before the spirit of the '60s dissipated into the excesses of the '70s. But even back in 1969, the British quartet were already fish out of water, gasping for R&B in a Technicolor age of psychedelia. So they created their own, an entire album's worth of strong, shadowed, R&B numbers underlit by magnificent musicianship and powerful rhythms. The set opener, a menacing cover of Graham Bond's "I Want You," is a case in point, stalker-like in its intensity, with John Morgan's organ conjuring up a phantom of the opera from which there is no escape. However, Morgan's phenomenal finger skills are best showcased on a cover of Meade "Lux" Lewis' "Honky Tonk Train Blues," a fabulously masterful piano boogie woogie, as is his equally extraordinary adaptation of Albert Ammons' "Shout for Joy." And Morgan is just as skilled on the organ, as is evidenced on the band's take on Big John Patton's "The Yodel." As astounding as the covers are, the quartet offered up their own numbers that are of equal quality. "Orpheus and None for Ye," is a particular standout, a dark, driving number that initially calls to mind the Spencer Davis Group before diving into the heart of the jungle, while Don Whitaker's guitar licks like flames around the piece. It is the set's final number, however, the ten-minute epic "Yorkshire Blues" that is the heart of the album. Delta blues brought to the English north, where the band convincingly make the case that life is just as tough up mill as it is down in the fields of the Deep South. John Morgan (organ, piano, vocals) Mick Walter (drums, percussion, vocals) Don "Fagin" Whitaker (lead guitar, vocals) Phil Shutt [Phil Curtis] (bass)

Add to EJ Playlist  SPIRIT OF JOHN MORGAN -- 1969 (UK) heavy psych Although released in 1971, the debut self-titled album by Spirit of John Morgan was actually recorded two years earlier, before the spirit of the '60s dissipated into the excesses of the '70s. But even back in 1969, the British quartet were already fish out of water, gasping for R&B in a Technicolor age of psychedelia. So they created their own, an entire album's worth of strong, shadowed, R&B numbers underlit by magnificent musicianship and powerful rhythms. The set opener, a menacing cover of Graham Bond's "I Want You," is a case in point, stalker-like in its intensity, with John Morgan's organ conjuring up a phantom of the opera from which there is no escape. However, Morgan's phenomenal finger skills are best showcased on a cover of Meade "Lux" Lewis' "Honky Tonk Train Blues," a fabulously masterful piano boogie woogie, as is his equally extraordinary adaptation of Albert Ammons' "Shout for Joy." And Morgan is just as skilled on the organ, as is evidenced on the band's take on Big John Patton's "The Yodel." As astounding as the covers are, the quartet offered up their own numbers that are of equal quality. "Orpheus and None for Ye," is a particular standout, a dark, driving number that initially calls to mind the Spencer Davis Group before diving into the heart of the jungle, while Don Whitaker's guitar licks like flames around the piece. It is the set's final number, however, the ten-minute epic "Yorkshire Blues" that is the heart of the album. Delta blues brought to the English north, where the band convincingly make the case that life is just as tough up mill as it is down in the fields of the Deep South. John Morgan (organ, piano, vocals) Mick Walter (drums, percussion, vocals) Don "Fagin" Whitaker (lead guitar, vocals) Phil Shutt [Phil Curtis] (bass)

Add to EJ Playlist  IRON BUTTERFLY - IN A GADDA DA VIDA-ORIGINAL FULL VERSION -1968 VIDEO CONVERTED IN 3D (Red & Blue - 480P) The video track was recorded on May 27,1968, at Ultrasonic Studios in Hempstead, Long Island, New York. CD SOUND - HIGH QUALITY (856 X 480) - BEST VIDEO AND SOUND BY IRON BUTTERFLY ON YOUTUBE - 17:02 Minutes In-A-Gadda-Da-V ida, honey, don't you know that I love you? In-A-Gadda-Da-V ida, baby, don't you know that I'll always be true? Oh, won't you come with me and take my hand? Oh, won't you come with me and walk this land? Please take my hand! -Repeat- ~solos~ -Repeat-

Add to EJ Playlist  King Crimson - Moon Child Canon 60d

Add to EJ Playlist  Moody Blues Evening: The Sunset When the sun goes down, And the clouds all frown, Night has begun for the sunset. See it with your eyes; Earth re-energized By the sun's rays every day. Take a look out there, Planets everywhere. When the sun goes down, And the clouds all frown, Night has begun for the sunset. Shadows on the ground; Never make a sound, Fading away in the sunset. Night has now become Day for everyone. I can see it all From this great height. I can feel the sun Slipping out of sight; And the world still goes on Through the night. Lyrics: Evening the Sunset, Moody Blues Twilight Time. Twilight time to dream awhile, In veils of deepening blue. As fantasy strides, over colorful skies, Of form disappearing from view. In twilight time, dream with me awhile. A nightingale plays a dark mellow phrase, Of notes that are rich and so true. An aerial display by the firefly brigade, Dancing to tunes no one knew. In twilight time, dream with me awhile. In twilight time, dream with me awhile. Building castles in the air, Whistling to the wind. As nature bows down her head, See what tomorrow brings. In twilight time, dream with me awhile. Bats take to wing like puppets on string, Prancing through cool evening air. In a sightless glide, no reason to hide Away from the sun's blinding stare. In twilight time, dream with me awhile. In twilight time, dream with me awhile.

Add to EJ Playlist  Performed live in 1972 Album: On Sundown 2005 http://www.mysp ace.com/hawkwin dofficial

Add to EJ Playlist  Artist :Jimi Hendrix - mr. Bad Luck (Album)valley of Neptune)

Add to EJ Playlist  Trying to revive the The Doors playlist that was removed so viewers can enjoy The Doors. Watch in 1080 HD for best tune This Video has content that is owned and licensed by WMG lyrics: Uh! Uha! Get Loose! I live uptown I live downtown I live all around I had money, and I had none I had money, and I had none But I never been so broke That I couldn't leave town I'm a Changeling See me change I'm a Changelin' See me change I'm the air you breath Food you eat Friends your greet In the sullen street, wow See me change See me change, you I live uptown I live downtown I live all around I had money, yeah, and I had none I had money, yeah, and I had none But I never been so broke That I couldn't leave town Well, I'm the air you breath Food you eat Friends your greet In the sullen street, wow Ew ma! Uh, ah! You gotta see me change See me change Yeah, I'm leavin' town On a midnight train Gotta see me change Change, change, change Change, change, change Change, change, change Change, change, change Food you eat Friends your greet In the sullen street, wow Ew ma! Uh, ah! You gotta see me change See me change Yeah, I'm leavin' town On a midnight train Gotta see me change Change, change, change Change, change, change Change, change, change Change, change, change Woa, change, change, change

Add to EJ Playlist  From their 1983 album Born Again.

Add to EJ Playlist  another favourite from their third lp with this running ear-candy, another must ;) http://en.wikip edia.org/wiki/T he_Deviants_%28 band%29

Add to EJ Playlist  what a great tune by the legendary twelve-fingered guitarist, such a blaster that John Spencer Blues Explosion decided to do a great cover of this wonder on their first lp, well, what more to say... you would be a fool for not lovin' it !?! ;) http://en.wikip edia.org/wiki/H ound_Dog_Taylor

Add to EJ Playlist  A purely instrumental affair, alternately dated as 1968 or 1970, this studio material is among the most intriguing unreleased pieces of either performer. The lineup is listed as Jimi Hendrix (guitar), Steve Winwood (piano), Chris Wood (flute), Rick Grech (bass), and Jim Capaldi (drums), but the actual lineup of these recordings is uncertain. Only Hendrix is identifiable with certainty. The overall sound resembles Traffic, and the piano and flute parts seem particularly recognizable as Steve and Chris, respectively. The music on this cd consists of jams that, in contrast to Traffic's usual melodic sensibilities, range from minor key to almost atonal structure. Some of the magic of the "Voodoo Chile" session is also evident on this recording. The jams sound basically spontaneous, organized around particular keys with shifting tempos, and lack a distinct song structure. None of them sound like they were even intended to have vocal parts. For the most part, the piano and drums drive the rhythms while the guitar and flute solo. The extraordinary aspect of the recording is the complementary interplay between Jimi and Chris. While Jimi builds upon driving vamps that eventually erupt into molten solos, Chris counterbalances with his usual delicate, mellowing flute. The result of this collaboration is at least interesting, and sometimes magical. Unlike other Hendrix jam sessions, Jimi seems to have a lot of respect for Traffic and doesn't fully dominate the proceedings, which makes the session perhaps unique to both entities. This bootleg CD consists of three jams of excellent quality studio recordings. The insert states that the session "was recorded at an unknown place in the late 60′s". Credits are Jimi Hendrix (guitar), Chris Wood (flute and saxophone), Jim Capaldi (drums), and Steve Winwood (organ). In the book Jimi Hendrix: Electric Gypsy (1995), by Harry Shapiro and Caesar Glebbeek, the well researched discography section lists the CD as released in late 1990, and recorded in 1968 or 1969. http://musicals tewdaily.com/20 08/11/25/traffi c-jimi-hendrix- studio-jam-1969 /

Add to EJ Playlist  ERic Burdon & War Spill The Wine! I had this Version on before but had to much Pops and Hisses. The background noise has been removed. I purchaed a record cleaner and she sounds Sweet!

Add to EJ Playlist  Jimi Hendrix doing Rainy Day, Dream Away from the Electric Ladyland LP.

Add to EJ Playlist  one of the first singles i ever bought, proto-punk wonder i keep on listening too with a smile on my face... and i'm a danger to myself !!! ... even though Farrah Fawcet Major won't come rescue me anymore ;)... http://en.wikip edia.org/wiki/M ick_Farren